In 1910, the blue bird of happiness landed in the United States, in New York, to be specific, on Broadway. The Blue Bird was a philosophical play written by Maurice Maeterlinck, who would win the Nobel Prize for Literature the following year for it and other works. His Pelléas and Mélisande is better known today, as productions of the Debussy opera continue to enliven the stage. But at the start of the 20th century, The Blue Bird was all the rage, emerging in film and song, baptizing airplanes and race cars, and like most popular cultural symbols, being reduced to its simplest iteration: the blue bird of happiness.

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